Beginning February 23, 2014, the North Carolina Museum of Art (NCMA) presents Bull City Summer, a photography exhibition chronicling the 2013 season at Durham Bulls Athletic Park. The project features works by nationally and internationally acclaimed photographers Alec Soth, Hank Willis Thomas, Hiroshi Watanabe, Alex Harris, Frank Hunter, Kate Joyce, Elizabeth Matheson, Leah Sobsey, and Jeff Whetstone, and video artist Ivan Weiss. Beginning with the Bulls' home opener on April 8, 2013, the artists converged on the stadium to document all 72 home games.
Bull City Summer is a collaborative effort. In May, CAM Raleigh will open an exhibition of photographs and video work that resulted from the project, and in April American Tobacco Campus's Crowe Lobby Gallery will host new photographs not included in the NCMA or CAM shows. By displaying different parts of the project at different times and in different locations in the Triangle, the collaborators hope to engage the community more broadly.
"The idea of community is very important to us at the North Carolina Museum of Art," says Museum Director Lawrence J. Wheeler. "When I heard about this fascinating project portraying the traditions, community, and art of baseball-all documented in photographs by some of the finest local and international artists-I knew the Museum had to be involved."
Bull City Summer offers a subtle yet powerful group study of the obsessive routines and crafts of baseball, including those seen in the stands, in concessions, and behind the scenes.
Project director Sam Stephenson describes Bull City Summer as "a portrait of the art and craft and grit of baseball and the community that revolves around it." Explaining what inspired this project, Stephenson says: "My last project, the Jazz Loft Project, involved documenting a building, too. Rather than the Durham Bulls Athletic Park, it was a legendary jazz haunt in New York City in the late 1950s and 1960s. I was ready to document something here and now, not New York 50 years ago. Bull City Summer emerged from that impulse."
Highlights of the exhibition include:
- Alec Soth's portraits, such as Center Field #1 and Crystal, reveal the solitary nature of baseball by focusing on the players in the outfield and the fans who choose to sit near them.
- Made in collaboration with a group of photographers and their iPhones, Hank Willis Thomas's giant group portraits are titled to reflect his endeavor: A Futile Attempt to Take a Portrait of Everyone Who Attended the Last Regular Season Game.
- Frank Hunter's dramatic skyscapes, such as Light in a Summer Night #3, capture the power of nature and the magic of twilight as it settles over the stadium.
- Kate Joyce's uncanny grid of 30 prints, Impact of the Ball and the Outfield Wall, Part I, depicts dents and marks left by line drives on the famed "Blue Monster" left field wall at the Durham Bulls Athletic Park.
"Here's an opportunity to 'suspend play' and look at baseball through the lens of art-literally," says George Habel, vice president, Sports Group of Capitol Broadcasting Company. "We're grateful to Sam Stephenson and the NCMA and CAM for this opportunity to both celebrate and contemplate Durham Bulls baseball. We've been playing baseball for 111 years, but this is our first time in a museum gallery!"
Bull City Summer is produced by Sam Stephenson and his Rock Fish Stew Institute of Literature and Materials, based in Durham; and Taj Forer and Michael Itkoff of Daylight Books, based in Hillsborough. Daylight is publishing the related book Bull City Summer, featuring writer Adam Sobsey. More details are available at www.bullcitysummer.org. Catalogues can be purchased at www.daylightbooks.org/store/bull-city-summer.
Bull City Summer
February 23-August 31, 2014
East Building, Level A
Tuesday-Thursday 10 am-5 pm
Friday 10 am-9 pm
Saturday-Sunday 10 am-5 pm
This story was not subject to the approval of the National Association of Professional Baseball Leagues or its clubs.